Tanz und WahnSinn / Dance and ChoreoMania
visual materials
Intro 1. Ecstasy 2. Therapy 3. Schizoanalysis 4. Performance 5. Ad Narragoniam
V. Ad Narragoniam – Social and Political Pathologies (Soziale und Politische Pathologien).
Per Roar
An Unfinished Story: On Ghostly Matters and a Mission Impossible, pp. 284-305
Cover: An Unfinished Story, directed by Per Roar, Vijecnica, June 2006. Photo: (From left)
Peder Horgen, Marija Opsenica, Kristianne Mo, and Terje Tjøme Mossige performing
An Unfi nished Story by Per Roar in Vijecnica, June 2006. © Photo: Foco Fuoxos.
p. 289 Fig. 1 The opening scene of An Unfinished Story in Vijecnica, Sarajevo, June 2006.
Photo: Foco Fuoxos.
p. 299 Fig. 2 A scene from An Unfinished Story – Vijecnica, Sarajevo,
June 2006. Photo: Foco Fuoxos.
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Fig. 3-4 Scenes from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos
Fig. 5 A Scene from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
Fig. 6 A scene from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
Fig. 7 A scene from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
Fig. 8 A scene from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
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Fig. 9-10 Scenes from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
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Fig. 11-12 Scenes from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
Fig. 13 A scene from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
Fig. 14 A scene from An Unfinished Story – Vijecnica, Sarajevo, June 2006. Photo: Foco Fuoxos.
An Unfinished Story
Choreographic idea and direction: Per Roar
Performers: Peder Horgen, Kristianne Mo, Terje Tjøme Mossige, Marija Opsenica, and Slaven Vidak.
Soundscape: Jørgen Larsson.
Costume: Samina Zajko
Production coordinators: Ivan Vrhunc (Sarajevo); Ducica Parezanovic (Belgrade); Sandra Sandbye (Oslo)
Supported by: Arts Council Norway; Fond for Lyd & Bilde; The Norwegian Ministry of Foreign Affairs; Oslo National Academy of the Arts; and Norwegian Artistic Research Fellowship Programme.
Helmut Ploebst
Die gestörte Wunschmaschine: Spuren einer pathologischen Normativität des Tanzes im Film von Fritz Lang bis Darren Aronofsky, pp. 306-21
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p. 308 Abb. 1 „Von unnutze Buchern“, Sebastian Brant, Daß Narrenschyff ad Narragoniam
(1494), Faksimile der Erstausgabe, Straßburg 1913, S. 8.p. 311 Abb. 2 „Von dantzen“, Sebastian Brant, Daß Narrenschyff ad Narragoniam (1494), Faksimile der Erstausgabe, Straßburg 1913, S. 150.
Herausgeberin und Herausgeber / editors
Zu den Autorinnen und Autoren /authors
> Additional audio-visual research materials on Tanz & WahnSinn / Dance & ChoreoMania (only on this website)
(c) 2011 Johannes Birringer & Josephine Fenger, editors
Leipzig: Henschel Verlag, 2011.paperback,€ 19.90, ISBN-10: 3894877103
This book project is supported by
Gesellschaft für Tanzforschung (GTF)
For the publisher's announcement, click here